Description

University of Georgia Press, paperback

Publication Date: September 01, 2022

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David Lloyd’s poetry abides in a lineage of poetic modernism, often in dialogue with poets like Csar Vallejo, Paul Celan, and Mahmoud Darwish. The poems in

The Harm Fields

are rich in imagery, their language a fluent mix of registers, from colloquial idioms to technical language and literary citation, and replete with multilingual puns and portmanteaux. These poems carry forward the musical values and the questioning project of the modernist lyric, but their concerns are contemporary, haunted by the ongoing brutality of the times, from Ireland to Palestine, and reaching for a language adequate to mourning, persistence, and utopian possibility.